Posts Tagged ‘portrait’
I didn’t break the baby
At the end of my portrait photoshoot with Sarah she asked if I’d mind taking a few photos of her with her 10-week old baby. There was just enough winters light coming through her kitchen window so I snapped a few photographs. This is my favourite.
Image information: Canon 40D, 50mm f1.4, 1600 ISO, 1/90sec, f2.0. Shot in RAW, edited in Bibble 4.
Just to prove to everyone that I am baby friendly and don’t often break them, here is a snap that Sarah took of me. I think it was the first time I’ve held a baby so young and tiny, so I was rather worried that I would break him. To get his own back, he later poo’ed himself while sat on my lap. After which I promptly gave him back to mother!
And yes, before anyone says it, I am aware that the baby has more hair than me!

Fun business portraits
So my client today, we’ll call her Sue, hates having her picture taken. To get a picture she liked and would use was going to be a bit of a challenge. We chose “nagging” because thats how she describes herself to her clients – she nags them (in a positive way) to get stuff done.
Who says business portraits need to be stuffy and formal. The important thing is to be remembered, and hopefully this photo of Sue will be hard to forget.
I’m happy to report that Sue is happy with the photo, and is already using it on Brad Burton’s “Get Off Your Arse” forum, and Twitter.
You can follow Sue on Twitter – www.twitter.com/suepell
Note to self, next time clean the fingerprints off the blackboard.
He’s behind you… a photoshoot with Sam Bond

It was the first work day after Christmas, the rain was chucking it down, and I had a headshot photoshoot to do. My subject was former SKY TV Gladiator Atlas, and current Southampton Mayflower Theatre panto (Santa Claus and the Return of Jack Frost) star playing evil henchman ‘Thaw the Glaciator’, Sam Bond.
It was the first time in years I’d been inside the Mayflower Theatre, as well as my first photoshoot there. I love having access to buildings and places that you normally you can’t get into.
I’d decided before leaving home that I was going to shoot with natural / available lighting. I was travelling light, with just my Canon 5d mark ii, and Canon 70-200 f2.8 lens. Lighting in the auditorium was about as bad as bad can get. The seats were lit by several lights high up on the ceiling some 30 metres away. It was the daylight equivalent to shooting under the midday sun.
This was the second time I’ve had the pleasure of working with Sam, the first being on a lovely summers afternoon at Portland Bill, Dorset. Then we were working with wonderful sunlight, a reflector and a stunning location.
Sam knows what he wants, he knows his angles and what works best for him. This I like because it helps the whole process as it becomes more of a collaboration between photographer and subject.
If you have great lighting and an experienced subject then normally you’ll end up with lots of images to select from. Poor lighting and an inexperienced model and the numbers go down drastically. Today we had poor lighting but an experienced model, so we were somewhere in the middle.













